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Stieg Larsson’s Millennium trilogy of novels has now topped bestsellers lists worldwide. However, as umpteen million of disappointed buyers of “The Da Vinci Code” already know, it is possible to convince the public to buy vast numbers of copies of a deeply ordinary book. These days clever marketing strategies can lift the mediocre to great heights. Much has been made of the fact that the author died suddenly, tragically and too young shortly after finishing the Millennium novels. So you could be forgiven for coming to the conclusion that his books have sailed to success on the marketing hype of a Kurt Cobain style cult of death.
That would be a big mistake. These books are the real thing; intelligent, exciting, grown-up thrillers. And that’s  a pretty rare thing. The thriller writer’s art is undervalued by many. It is incredibly difficult to produce a believable fast moving plot whilst also being expected to provide lurches, twists and turns and all the while keeping pace and plausibility under control. Larssen proved to be a natural.
His three books are based around a Swedish investigative magazine called Millenium and deal in part with their exposes involving high level business and government misdeeds. Larssen also uses this platform to deal with a subtext about the abuse of women and the difficulties of seeking redress in a male-dominated society. The author knows his subject matter and writes with authority about investigative journalism, unsurprising since he was a magazine editor and world expert on right wing organisations.
Along the way the stories manage to take in serial killers, missing persons, Russian spies, international fraud, a family mystery and secret spy-rings. What more could you really ask for?
The books also feature a unique heroine. Lisbeth Salander is a character quite unlike any you have ever met before and she will prove hard for you to forget. In fact these books don’t contain any cardboard characters; even minor players in the stories are fleshed out to the extent that their actions seem perfectly true to their characters.
Too often adjectives like “gripping”, “page-turning” and the marvellous “unputdownable” are daubed on the covers of quite ordinary fare. In the case of this trilogy they are all accurate and you will be thrilled.

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